Sunday, 28 September 2014

analysis of focus groups

Below is my analysis of my focus group answers I received through social media. I decided to se social me


dia to access my target audience because the age I am appealing to are the ones who mostly use social media to communicate, and felt it would be easier to contact them.

The knowledge that I gathered from my target audience and from my research into music video will help me in decision making throughout the creation of my music video. Knowing that my target audience are more interested in videos which tell a story rather than showcasing an artist will help me filming the video as I will always have the story in mind and make sure that what I am filming links well with the love story I am creating. When editing my video I will be able to add effects that will help highlight the love story such as using slow motion and black and white imagry.


Tuesday, 23 September 2014

Target Audience

I have done some research into the interests of my target audience so that when it comes to creating a music video, I know as much as possible about them. This means i can make sure the video is always targeting the correct audience.

Monday, 22 September 2014

Research Conclusion

From completing lots of format research, I have found that I am now better informed on the conventions created and followed in the creation of music videos. I have decided to follow these set conventions such as the use of black and white footage as I feel it will make sure that my music video will link well with the artist and looks like a professional music video. Looking closely at how Ed Sheeran and other artists create music videos has shown me that videos are no longer made with the purpose of promoting the artist, there is now more of an element of feeling to the videos and they are now created with the audience in mind. This discovery along with researching into the creation of music videos led me to believe that creating a concept based video will allow me to really engage with the audience and focus more on telling a story through the song lyrics rather than showcasing the artist.

Sunday, 21 September 2014

Ed Sheeran-A-Team analysis

REPRESENTATION:
throughout this music video Ed shows representation. he shows the girl to represent vulnerability, and show how a normal teenager can get themselves into all sorts of difficulties at such a young age.





Thursday, 18 September 2014

Music video analysis- Rihanna 'California King Bed'






Music Video Analysis- Rihanna ft. Calvin Harris 'We Found Love'








The History of Film Trailers

The history of Film Trailers
Film trailers are created for films that are going to be released in cinema. They are created to publicise a film to a specific audience in order to make them come and watch. Some regard trailers as movie spoilers, as they include most of the bet scenes from the movie, but mostly they give the audience an overview of the films genre, setting and storyline. This films are showcased before film viewings at the cinema, but are also shown in ad breaks on TV and also before a DVD. They are usually the same genre as the film you are about to watch or have some relevance, as they are trying to target a specific audience. Film trailers have also become increasingly popular with sites like YouTube and IMBD.
Most film historians would grant 1913 as the year of the first music video. Nils Grandlund created a short promotional trailer in New York City of the Broadway play ‘Pleasure Seekers’, which showed the audience rehearsal footage from the play. This is seen as the first promotional video for a film. Early film trailers were short clips that consisted of narration, a soundtrack, text on screen and a cast run. An example of an early trailer is ‘Casablanca’.


Film trailers began to change with film in the 1960’s. More cultural ideas where brought onto the scene and required advertising to the audience in a different way. Andrew J. Kuehn was a well-known trailer producer who in 1964 influenced the change f how film trailers were made and executed. He created ‘Kaleidoscope films’ which worked for three decades to create some of the biggest movie trailers such as Spielberg films, and created the trailer for ‘Et’. Kuehn was presented with the Cannes lifetime achievement awards and is credited with over 1000 film trailers.
Trailers tend to follow the same format of film, they have an introduction, a problem and a solution. However, some argue that film trailers ruin films as they often show the best bits of a film. Some even avoid watching trailers before they see a film because they fear they will then be disappointed. Some trailers include clips that do not feature in the film, most famously seen in Hitchcocks ‘Psycho’ where the whole trailer is a short post-production and features a different actress to the one in the film. However, some trailers feature cuts from the original film.




The future of movie trailers is set to include more and more digital technology as the advances in media technology are so rapid, and have been for the last decade. The difference in quality from trailers now compared to a few years ago is astonishing, and that is set to continue in years to come. Trailers will now see more motion capture, like in ‘Planet of the Apes’, but the cost of trailers will then increase due to the cost of technology.