Sunday, 28 September 2014

analysis of focus groups

Below is my analysis of my focus group answers I received through social media. I decided to se social me


dia to access my target audience because the age I am appealing to are the ones who mostly use social media to communicate, and felt it would be easier to contact them.

The knowledge that I gathered from my target audience and from my research into music video will help me in decision making throughout the creation of my music video. Knowing that my target audience are more interested in videos which tell a story rather than showcasing an artist will help me filming the video as I will always have the story in mind and make sure that what I am filming links well with the love story I am creating. When editing my video I will be able to add effects that will help highlight the love story such as using slow motion and black and white imagry.


Tuesday, 23 September 2014

Target Audience

I have done some research into the interests of my target audience so that when it comes to creating a music video, I know as much as possible about them. This means i can make sure the video is always targeting the correct audience.

Monday, 22 September 2014

Research Conclusion

From completing lots of format research, I have found that I am now better informed on the conventions created and followed in the creation of music videos. I have decided to follow these set conventions such as the use of black and white footage as I feel it will make sure that my music video will link well with the artist and looks like a professional music video. Looking closely at how Ed Sheeran and other artists create music videos has shown me that videos are no longer made with the purpose of promoting the artist, there is now more of an element of feeling to the videos and they are now created with the audience in mind. This discovery along with researching into the creation of music videos led me to believe that creating a concept based video will allow me to really engage with the audience and focus more on telling a story through the song lyrics rather than showcasing the artist.

Sunday, 21 September 2014

Ed Sheeran-A-Team analysis

REPRESENTATION:
throughout this music video Ed shows representation. he shows the girl to represent vulnerability, and show how a normal teenager can get themselves into all sorts of difficulties at such a young age.





Thursday, 18 September 2014

Music video analysis- Rihanna 'California King Bed'






Music Video Analysis- Rihanna ft. Calvin Harris 'We Found Love'








The History of Film Trailers

The history of Film Trailers
Film trailers are created for films that are going to be released in cinema. They are created to publicise a film to a specific audience in order to make them come and watch. Some regard trailers as movie spoilers, as they include most of the bet scenes from the movie, but mostly they give the audience an overview of the films genre, setting and storyline. This films are showcased before film viewings at the cinema, but are also shown in ad breaks on TV and also before a DVD. They are usually the same genre as the film you are about to watch or have some relevance, as they are trying to target a specific audience. Film trailers have also become increasingly popular with sites like YouTube and IMBD.
Most film historians would grant 1913 as the year of the first music video. Nils Grandlund created a short promotional trailer in New York City of the Broadway play ‘Pleasure Seekers’, which showed the audience rehearsal footage from the play. This is seen as the first promotional video for a film. Early film trailers were short clips that consisted of narration, a soundtrack, text on screen and a cast run. An example of an early trailer is ‘Casablanca’.


Film trailers began to change with film in the 1960’s. More cultural ideas where brought onto the scene and required advertising to the audience in a different way. Andrew J. Kuehn was a well-known trailer producer who in 1964 influenced the change f how film trailers were made and executed. He created ‘Kaleidoscope films’ which worked for three decades to create some of the biggest movie trailers such as Spielberg films, and created the trailer for ‘Et’. Kuehn was presented with the Cannes lifetime achievement awards and is credited with over 1000 film trailers.
Trailers tend to follow the same format of film, they have an introduction, a problem and a solution. However, some argue that film trailers ruin films as they often show the best bits of a film. Some even avoid watching trailers before they see a film because they fear they will then be disappointed. Some trailers include clips that do not feature in the film, most famously seen in Hitchcocks ‘Psycho’ where the whole trailer is a short post-production and features a different actress to the one in the film. However, some trailers feature cuts from the original film.




The future of movie trailers is set to include more and more digital technology as the advances in media technology are so rapid, and have been for the last decade. The difference in quality from trailers now compared to a few years ago is astonishing, and that is set to continue in years to come. Trailers will now see more motion capture, like in ‘Planet of the Apes’, but the cost of trailers will then increase due to the cost of technology.

 













Peer evaluation of Music Video Analysis 'Demons'

Peer evaluation of music video analysis
What went well?
Even better if?
           Holly understood the purpose of the music video well, linking it to the lyrics
        She understands the different stages of the music video and their purpose.
         Which theorists does it link to?
          Why were people’s lives shown?
          Good understanding of the intentions of the video and analysis of hybrid
           A wide understanding of the different uses of editing
          Good use of terminology
         Good evaluation points
          Could uses more examples of camera shots
       Could mention meaning of props
           Say why its not a typical music video
         Shows good understanding of what she felt the song meant
          Understood meanings of mis on scene
          Link to theorists


Music Video Analysis- Imagine Dragons 'Demons'





Thursday, 11 September 2014

The History of Music Videos

The History of Music Videos

Music videos have evolved over the decades but have always been filmed for the sole purpose to advertise an artist and their musical talent. Queen released the video of Bohemian Rhapsody in 1975 and it was considered the first major music video to make a song go from a minor to a major music hit. However, music videos can be dated as far back as the Second World War.
The relationship between music and visual material can be dated back to the 192’s where Oscar Fischinger created image and music synchronisations and visual interpretations of music. These were short films which were used to promote artists work. These films were up to 8 minutes long and show cased work from artists such as Billie Holiday and Bing Crosby. These short films were shown in cinemas.
In 1939 the Panarom was created and displayed a wide variety of music. The Panarom weighted over 2 tonnes and had a 20 inch screen which is projected music videos onto. Panaroms were used in music bars and had more sexual content, appealing to a male audience. The Panarom died out by 1946 to make way for new technology. In the 1960s, France had created the Scopitone. This machine provided a selection of 36 short films, which could be changed and rewinded. It showcased song and dance numbers which were filmed on cheap stages or outdoors, and displayed a large amount of provocative female dancing to again attract a male audience.
Elvis Presley set the trend for concept films as he was first with ‘jail house rock’ as the music video was filmed in a prison, linking to the concept of the song. In the 1960’s the Beatles created a new dimension for music videos by using stylistic devices within their videos. The USA then created The Monkees to rival The Beatles, and were chosen for how well they would look performing on TV. The Monkees can be linked with today’s music talent shows such as The X Factor with the creation of boy bands not just on how well they sing, but their whole image.
The 1970’s saw the rise of serious rock emerging from mostly the USA, increasing the number of bands getting airplay on TV. However the real rise of music on TV came when MTV was formed in America in 1981. Artists like Michael Jackson released videos onto MTV with amazing response, causing more people to go out and by records as that was the only way to access songs back then. This is where the role of music videos was really discovered, as the volume suggested that videos really help to promote artists and drive sales. Black music videos then hit the scene thanks to Hype Williams a music video producer who still produces popular music videos for big artists like Jay-Z today. By the late 90’s music video budgets were almost hitting $2 million. These in turn generated record sales and led to hip hop music replacing rock as the most popular music genre.


More recently, the real boom for music videos has come from social media and the internet. YouTube is a multimillion dollar video website which was founded in 2005. Along with Vivo, this is where artists release their music videos as they know they will get the views due to the scale YouTube Is used on. Artists nowadays also release promo video son Facebook, Twitter and Instagram, along with images of album covers to entice their audiences. Also the rise in music download compared to CD release means music is more easily assessable, and therefore music videos are now not necessary to promote music as they once were. Money is made from concerts now as the average ticket is around £40. Artists perform live sets to audience and due to the advances in technology over the last decade imagery and video features in nearly all shows. So to conclude this article, music videos have not only changed because of technology, overtime their mean has also changed to I believe. They used to be essential for sales as people would be able to connect with the songs via imagery, which would make them want to purchase the track. That is still the case nowadays to some extent, and much videos today are still produced to publicise artists, but they are not as expensive or needed as much for an artist to become successful due to the wide range of media technology that is readily available at our finger tips.

In the future, music videos will undoubtedly change again to suit their audiences. I believe that the music video will become less about advertising music, and more about artists showcasing themselves for their audience, trying to relate more to them. Because of this, I think the budget will decrease for music videos, so less artists will start to produce them.


Summer Homework- Pulp Fiction as a post-modern film







Narrative Theory